This collection of essays approaches the works of Shakespeare from the topical perspective of the History of Emotions. Contributions come from established and emergent scholars from a range of disciplines, including performance history, musicology and literary history.
Ronald Bedford, University of New England, Australia
Susan Broomhall, University of Western Australia, Australia
Martin Dawes, independent scholar, Canada
Stephanie Downes, University of Melbourne, Australia
Rosemary Gaby, University of Tasmania, Australia
Peter Groves, Monash University, Australia
Simon Haines, Chinese University of Hong Kong, Hong Kong
Jennifer Hamilton, University of New South Wales, Australia
Mark Houlahan, University of Waikato, New Zealand
Danijela Kambaskovic, University of Western Australia, Australia
Heather Kerr, University of Adelaide, Australia
Philippa Kelly, California Shakespeare Theater, USA
Andrew Lawrence-King, Guildhall School of Music & Drama, UK
Ruth Lunney, University of Newcastle, Australia
Andrew Lynch, University of Western Austr
alia, Australia
Dr Mary-Rose Mclaren, Victoria University, Australia
Katrina O'Loughlin, University of Western Australia, Australia
Anthony Guy Patricia, Concord University, USA
Bríd Phillips, University of Western Australia, Australia
Ciara Rawnsley, University of Western Australia, Australia
Elizabeth Schafer, Royal Holloway, University of London, UK
Alison V. Scott, University of Queensland, Australia
R. S. White, University of Western Australia, Australia
Christopher Wortham, University of Notre Dame Australia, Australia
